Beyond The Myth
Chapter 5: Descent
The shuttle — Parvos, the smaller craft docked in The Orka's belly like a child curled inside a mother — detached at 06:12. Twelve minutes late because Kabir had insisted on running the landing thrusters through a triple-diagnostic ("I'm not dying because a thruster misfires, that's an engineering death and engineering deaths are: embarrassing"), and because I'd spent four minutes staring at the planet through the shuttle's forward viewport, unable to move, the way you sometimes can't move when beauty and terror occupy the: same space.
The descent was: rough. Not mechanically — Parvos handled atmospheric entry the way she handled everything: competently, without drama, the reliable craft that Solarfleet engineers built to survive the specific abuse of entering atmospheres that didn't want to be: entered. But the turbulence was: real. The planet's atmosphere was thicker than Allura's — more oxygen, more pressure, the kind of atmosphere that grabbed a descending shuttle and shook it the way a dog shakes a: toy.
My harness pressed into my shoulders. The pressure — the specific pressure of a five-point harness holding a human body against a seat while gravity and atmosphere conspired to remove the human from: the seat — was: grounding. Physical. The body's reminder that physics didn't care about: mythology or first contact or the philosophical implications of what waited below. Physics cared about: force, acceleration, the relationship between mass and velocity. Physics was: honest.
"Hull temperature rising," Chitra reported from the science station behind me. "Within parameters. Atmospheric friction consistent with predicted models."
"Predicted by whom?" Kabir asked from the engineering console, his voice strained by the vibration. "We've never entered this atmosphere. There are no: models."
"Predicted by me. I built the models during orbit. Using data. Which is what scientists: do."
"Remind me to buy you a drink when we survive this."
"I don't drink."
"Then remind me to buy you: data."
The banter. The banter that crews produce when crews are: afraid, the verbal equivalent of holding hands — not because holding helps but because the act of reaching for another person says: I am here, you are here, we are: not alone in this.
Rudra sat in the pilot's seat. Hands steady. Eyes forward. The Nakshatra figurine was absent — he'd left it on The Orka's bridge, which was: unusual, and which I'd noticed but hadn't mentioned because mentioning superstitions during descent felt: unwise. Perhaps he'd left it for Om. Perhaps the figurine was meant to guard the ship in their absence. Perhaps Rudra simply forgot.
The clouds broke.
The viewscreen showed: green. Not the green of Allura — Allura's vegetation was dark, almost black-green, the colour of plants that had evolved under a red dwarf star and that photosynthesised with different wavelengths. This green was: vivid. Bright. The green that the ancient texts described when they described Earth — "a world of green that hurt the eyes with its: abundance." I hadn't understood that phrase until now. The green was: overwhelming. Forests that covered the continent from mountain to coast, interrupted only by rivers — silver ribbons cutting through the canopy, the rivers that Chitra had identified from orbit and that were, from this altitude: beautiful. The beauty of water finding its path through: land.
"Oxygen-rich atmosphere confirmed," Chitra said. "We can breathe out there. Atmospheric pressure point-nine-seven bar. Temperature at the landing zone: twenty-four degrees Celsius. Humidity sixty-two percent."
"It's paradise," Kabir said.
"It's a planet we know nothing about. Paradise and: trap look identical from the: air."
"You're fun at parties, Esha."
"I don't go to parties. I navigate."
Rudra landed Parvos on the coastal plain — a clearing near the settlement, close enough to investigate but far enough to provide: distance. The landing was: smooth. Rudra flew the way he commanded — with precision that masked the effort required, the effort that thirty years of practice had converted from: concentration into: instinct.
The engines powered down. The silence that followed was: different from ship-silence. Ship-silence was the absence of engine-noise, always accompanied by the hum of life support, the whisper of recycled air. This silence was: planetary. The silence of a world that had its own sounds — wind, water, the specific rustling of vegetation being moved by atmosphere — sounds that were muffled by the shuttle's hull but that I could feel. The planet's heartbeat, pressing against our metal skin.
"Seal check," Rudra said. He stood. "Everyone — suit up. Full EVA protocol until Chitra confirms the atmosphere is: safe for direct exposure."
We suited up. The EVA suits — bulky, restrictive, the specific discomfort of wearing a personal atmosphere on a planet that had its own — sealed with the hiss of pressurised air and the click of helmet locks. Through the helmet's visor, the world was: filtered. Slightly blue-tinted, the way all Solarfleet visors tinted the world, the tinting meant to reduce glare but which also reduced: reality. Made everything feel: watched from behind glass. Which it: was.
Rudra opened the hatch.
The light came first. Not artificial light — not the green glow of The Orka's consoles or the white glare of corridor strips. Sunlight. Real sunlight, from a real star, filtered through a real atmosphere and carrying the specific warmth that only stars produce — the warmth that Allura's red dwarf delivered as: muted, orange, the tired light of an old star. This star was: younger. Brighter. The light was: aggressive in its generosity, pouring through the hatch like liquid, filling the shuttle's interior with the colour of: outside.
I stepped out. Boot on soil. The soil that was: not Alluran soil (dark, volcanic, the soil of a planet born from: fire) but something else. Lighter. Richer. The soil of a planet that had been: growing things for a very long time, the organic accumulation of millennia of life and death compressed into: ground.
The air — even through my suit's filters — was: different. The suit's atmospheric sensors were showing green across the board, the data confirming what my body already suspected: this air was: alive. Not just breathable but: vital. Carrying pollen and moisture and the organic compounds that living worlds produce when living worlds are: healthy.
"Atmospheric readings confirmed safe," Chitra said through the comm. "Oxygen twenty-one point three percent. No toxins detected. No pathogens in the initial scan — though I'd recommend continued suit use for the first twelve hours until we can run a full biological survey."
"Twelve hours in this suit will kill me faster than any pathogen," Kabir said. "My left shoulder already hates me."
"Your left shoulder has hated you since you dislocated it on the Vayu mining platform," I reminded him.
"That was a work injury. This is a: fashion injury. EVA suits are designed by people who have never: worn EVA suits."
We stood on the surface of a planet that no Alluran had ever: stood on. Four humans in EVA suits, standing on green soil under a yellow sun, breathing filtered air while the wind — the actual wind, planetary wind, not the recycled air-movement of a ship's ventilation — pressed against our suits and made the fabric: ripple.
The settlement was visible from here. Two kilometres northeast — structures rising above the treeline, catching sunlight, the metal-and-glass buildings that Chitra had identified from orbit. From the surface, they looked: different. More organic. The structures seemed to grow from the ground rather than sit upon it, the architecture suggesting a civilisation that had chosen to: integrate with its environment rather than dominate it.
"Rudra," I said. "Movement."
He saw it. We all saw it. At the treeline — the edge of the forest that bordered the clearing — figures. Not animals. Not vegetation. Figures that were upright, bipedal, approximately human-sized. Figures that were watching us from the shadows of the trees the way we were watching them from the: clearing.
"Steady," Rudra said. "Hands visible. No sudden movements."
We stood. They watched. The specific standoff of two species encountering each other for the first time — the moment where every gesture is: decoded, every posture is: interpreted, every heartbeat is: audible to the person beating it and invisible to the person: watching.
One of the figures stepped forward. Out of the shadow. Into the light.
And I saw: a face. Not a human face — but not entirely: alien. Two eyes, positioned forward (binocular vision — predator or: advanced). A mouth. A nose — broader than human, flatter, but recognisably: a nose. Skin that was: blue. Not the blue of the sky or the blue of the ocean — a deeper blue, the blue of deep water, the blue that exists at the bottom of lakes where light barely: reaches. The figure's hair — or what functioned as hair — was silver, metallic, catching the sunlight the way Chitra's instruments caught: data. Absorbing. Processing.
The figure raised its hand. Palm open. Fingers extended. The gesture that, on Allura, meant: peace. The gesture that humans had been making since: Earth.
Rudra raised his hand. Palm open. Fingers extended.
The gesture that said: we come in: peace. And the gesture that hoped — desperately, across the impossible distance of species and space and three thousand years of: myth — that peace was: mutual.
© 2026 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.