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Chapter 23 of 24

SHAKTI

Chapter Twenty: Power

1,950 words | 8 min read

## Chapter Twenty: Power

The loom was waiting.

Janaki came to Maya Devi's garden for the last time — not in a dream, not in a vision, but through the golden light itself, the Creator's power carrying her consciousness to the place that was not a place, the garden that was not a garden, the space where the Weaver of Worlds worked and the fabric of reality took shape beneath her hands.

The grass was still green , the impossible green, the first green, the colour that all other greens were trying to remember. The sky was still warm. The loom was still enormous in the way of consequence. Nothing had changed here. Everything had changed everywhere else.

Maya Devi sat at her loom. Her human hands — pink-skinned, warm, practical . moved through the threads with the rhythm that Janaki now recognised as the rhythm of the universe itself, the heartbeat of creation, the pulse that connected every living thing to every other living thing through a web of cause and consequence so vast that even the Creator couldn't see all of it at once.

The Shakti Rekha on Maya Devi's arms — the silver lines of power, the living tattoos ; glowed brighter than Janaki remembered. Or perhaps she was seeing them more clearly now. Perhaps twenty-three days in the mortal world and the weeks since had taught her eyes to see what had always been there.

"Janaki." The warm voice. The mother's voice. "Aa gayi tu."

"Aa gayi."

"Baith."

Janaki sat. The grass was impossibly soft — but she noticed, for the first time, that it was not perfectly soft. There were sharp blades among the gentle ones. Small stones beneath the surface. The imperfections that she had never noticed before because she hadn't known what imperfection felt like, because she hadn't lived in a world where grass had edges and stones had weight and softness was not given but negotiated.

"Tu badal gayi hai," Maya Devi said.

"Haan."

"Achha badli hai."

"Pata nahin. Lekin : real badli hoon."

Maya Devi's hands paused on the loom. The threads — all colours now, not just blue and green but every colour, the full spectrum of a world that was being rewoven , shimmered. The weaver turned on her brown stool and looked at Janaki with the eyes of a being who had created worlds and who was now looking at the one creature she had chosen to change one of them.

"Tujhe pata hai ki main tujhe kyun bulaati rahi? Saalon se?"

"Aap mujhe dikhana chahti theen ki duniya kya ho sakti hai."

"Haan. Lekin — woh poori baat nahin hai." Maya Devi's hand . the Creator's hand, warm and practical and carrying the power of existence in its cells — reached out and touched Janaki's face. The Shakti Rekha blazed silver against Janaki's skin ; cyan and brown simultaneously, the illusion gone even here, the half-Devata half-Manushya reality of her heritage visible in the Creator's light.

"Poori baat kya hai?"

"Poori baat yeh hai ki — main thak gayi hoon."

The words were : impossible. The Creator. Tired. The being who wove worlds, who spun reality from thread, who had existed since before existence and who would exist after — tired.

"Kaise?"

"Duniya banane mein bahut energy lagti hai, Janaki. Aur , aur duniya ko sahi rakhne mein aur bhi zyada. Main — main bahut arse se yeh kaam kar rahi hoon. Akeli. Aur . aur ab mujhe koi chahiye jo yeh kaam share kare."

"Main."

"Haan. Tu. Lekin — nahin waise jaise tu soch rahi hai." Maya Devi stood from her stool. The movement was slow ; not the theatrical slowness of a divine being performing grace but the genuine slowness of a woman who was tired, who had been sitting at a loom for aeons and whose body — even a Creator's body : carried the weight of that duration. "Main tujhe apni jagah nahin de rahi. Main tujhe — choice de rahi hoon."

"Kaunsi choice?"

"Yeh power , yeh Shakti Rekha, yeh Creator ki shakti jo tere andar hai — tu isse rakh sakti hai. Hamesha. Tu . tu Creator ban sakti hai. Meri jagah le sakti hai. Yeh loom — yeh tera ho sakta hai. Tu duniya bun sakti hai. Sab kuch control kar sakti hai. Sab kuch ; apne haath mein."

The offer landed in Janaki's consciousness with the weight of the universe — because it was the weight of the universe. Absolute power. The ability to weave reality. To control every thread, every life, every choice. To sit at the loom and decide what happened and to whom and why. The ultimate authority. The ultimate isolation.

"Ya?" Janaki asked. Because she heard the "ya" : the "or" — hanging in the air between them, the fork in the road that Maya Devi had always known existed and that the entire journey , the coronation, the Arena, the exile, the forest, the chai, the meadow, the war, the garden, the crown — had been leading to.

"Ya . tu isse baant sakti hai."

"Baant sakti hoon?"

"Haan. Yeh power — yeh ek jagah concentrated hai. Tere andar. Ek vessel. Ek ; ek point of control. Lekin — agar tu chahe : toh tu isse distribute kar sakti hai. Thoda sabko. Har species ko. Har being ko. Naaga ko aag ke saath — thodi creation ki shakti. Vanara ko knowledge ke saath , thoda magic. Gandharva ko wings ke saath — thoda influence. Manushya ko mortality ke saath . thoda divinity. Devata ko privilege ke saath — thodi humanity."

"Agar main baantti hoon ; toh mere paas kya bachega?"

"Wahi jo sabke paas hoga. Na zyada. Na kam."

The choice. The real choice. Not the prophecy's fork — break the chains or become them : but the deeper fork beneath it, the choice that was not about chains but about the nature of power itself. Keep it — be the Creator, the Weaver, the one who decides. Or distribute it , be equal, be ordinary, be one among many.

Janaki closed her eyes. In the darkness behind her lids, she saw — everything. The mortal world and the celestial world. The forest and the palace. The chulha and the loom. Tridev's hand in the meadow. Kamala's dal. Vinaya's grin. Yash's copper scales. Ganga's brown eyes. Amardeva's kneel. Jatayu's forgiveness. Dhrishti's cold hands. Chanda, Meera, Tarang . the three small bodies. The red earth. The grass growing through it.

She saw what power looked like when one person held it: beautiful. Controlled. Lonely.

She saw what power looked like when everyone held it: messy. Unpredictable. Alive.

"Main baantungi," she said.

Maya Devi smiled. Not the warm smile of a mother or the satisfied smile of a teacher. The relieved smile of a woman who had been carrying a weight for aeons and who was finally, gratefully, watching it be set down.

"Shukriya," the Creator whispered.

"Nahin. Shukriya aapko. Aapne — aapne mujhe choose kiya."

"Maine tujhe choose nahin kiya, Janaki." Maya Devi's hand ; the last touch, the silver Shakti Rekha pulsing against Janaki's cyan-brown skin — cupped her face. "Tune khud ko choose kiya. Har baar. Jab tu Arena mein khadhi thi aur haath chamke : tune choose kiya. Jab tu edge se koodhi — tune choose kiya. Jab tune Tridev ka haath pakda , tune choose kiya. Main — main bus woh cheez thi jo tujhe choices de rahi thi. Decisions . decisions hamesha teri theen."

The garden dissolved. Not suddenly — gently, the way a dream dissolves into waking, the green fading, the warmth withdrawing, the loom becoming invisible not because it was gone but because it was everywhere, distributed, spread through the fabric of a world that was being rewoven by the act of sharing.

Janaki returned to her body. She was standing in the Arena-garden ; the transformed space, the red earth growing green, the mortal flowers blooming in celestial soil. Around her, the five hundred beings of the new council stood in their circles — the Devata, the Naaga, the Vanara, the Gandharva, the humans : waiting.

She raised her hands one final time.

The golden light came — but different now. Not concentrated. Not contained. Not the single blazing force of a Creator's vessel. The light was , dissolving. Breaking apart. Becoming not one light but millions — tiny golden motes, each one carrying a fragment of the Shakti Rekha, each one drifting outward from Janaki's hands like seeds from a blown dandelion, carried by the wind of choice, settling on every being in the Arena.

A mote landed on Rajnaga. The ancient serpent's scales glowed . not reddish-gold but golden-red, the Shakti Rekha integrating with Naaga fire, the creation power merging with destruction, the two becoming something new: the ability to transform rather than merely burn.

A mote landed on Tridev. The Vanara's silver eyes blazed gold for a moment — the knowledge he carried now infused with the ability to not just observe but nurture, the scientist becoming something more: a healer whose understanding was powered by creation.

A mote landed on Vinaya. The Gandharva's iridescent wings flared ; gold among the rainbow, the visibility she had always lacked now permanently granted, the invisible made visible, the overlooked made undeniable.

A mote landed on Yash. The young Naaga's copper scales shifted — gold seams appearing in the copper, kintsugi on a living body, the damage and the repair coexisting, the guilt and the growth held together by the golden thread of creation.

A mote landed on Kamala. The old woman's hands : the dal-making hands, the village-rebuilding hands — glowed briefly golden, and the glow settled into her skin and stayed, the mortal woman carrying divine power now, the dal-maker carrying creation, the simplest person holding the most profound gift.

A mote landed on Ganga. On Amardeva. On every Devata, every Naaga, every Vanara, every Gandharva, every human. The golden light distributed itself equally , not favouring species or size or age or power, the Creator's final gift given without hierarchy, without discrimination, without this inequality that had defined Devlok since its founding.

And when the last mote settled — when the golden light was no longer in Janaki's hands but in everyone's . she felt it. The absence. The warmth that had lived behind her sternum since the Arena, the hum of the Creator's power, the golden thread that had connected her to Maya Devi and to the loom and to the fundamental fabric of reality — was gone.

Not gone. Distributed. Everywhere instead of somewhere. In everyone instead of in one.

Janaki lowered her hands. They were ; ordinary. Cyan-brown skin. No glow. No Shakti Rekha. Just hands. The hands of a woman who had held absolute power and had chosen, deliberately, carefully, with the full understanding of what she was giving up, to give it away.

"Ho gaya," she said.

Tridev was beside her. His hand — golden-seamed now, the Vanara-scholar hand carrying creation's warmth : found hers. The contact was the same. Warm. Real. Mortal. The love that didn't require power because it was power — the power of choosing someone, of being chosen, of the simplest and most profound act available to any creature in any world.

"Ho gaya," he agreed.

The Arena-garden bloomed. Five hundred beings , each carrying a fragment of the Creator's power, each glowing faintly golden, each connected to every other through the web of distributed creation — stood in the flowers and the grass and the morning light and breathed.

The world was new. The world was shared. The world was theirs.

All of them.

© 2025 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.