THE WOODSMEN'S BARGAIN
Chapter 7: Training the Outsiders
Ira
The eight days before the operation were the most physically demanding of my life — and I had survived a spaceship crash, three weeks of Jaldev captivity, and an Igknamai ambush that had killed a member of my crew, so the bar was not low.
Trilochan's training program was built on a single principle: the forest killed people who didn't understand it, and understanding required the body to learn what the mind could not teach. He ran us through ground-level operations every day — six hours of movement drills, navigation exercises, silent communication protocols, and the particular Vanavasi skill that he called "listening," which was not hearing but interpreting: learning to read the forest's sounds as information, to distinguish the silence that meant safety from the silence that meant an Igknamai was holding still nearby, to hear the difference between wind moving branches and a creature displacing foliage.
Rudra took to the training with the methodical competence of a man whose body was accustomed to being pushed. His military background gave him a foundation — the discipline, the physical conditioning, the ability to compartmentalise discomfort and continue performing while exhausted. By the third day, Trilochan had stopped correcting his movement patterns and started using him as a demonstration partner for the scouts who were joining the ship team.
Oz was a different challenge. His size — six-foot-four, broad-shouldered, carrying the muscle mass of a man whose physical work had been in engineering bays rather than forests — made stealth almost impossible. The forest floor compressed under his weight, branches that other people ducked under caught his pack, and his breathing during exertion was audible at distances that Trilochan found professionally unacceptable.
"You breathe like a wounded horse," Trilochan told him on the second day, after Oz had inadvertently announced their position to a training Igknamai — a young beast that the scouts used for realistic exercises, captured and contained by a system of barriers that allowed it to move freely within a designated area without threatening the settlement.
"I am a wounded horse," Oz replied, sitting heavily on a fallen trunk and rubbing his blistered feet. "I'm an engineer. I fix things. I don't sneak through forests hunting monsters."
"Then stay in the canopy. I'll assign you to the communication relay — you'll manage the signal mirrors between the Hybrid team and the ship team from the mid-level platforms."
Oz's expression shifted from misery to interest. "Signal mirrors? What frequency?"
"Visual. Reflected sunlight during the day, reflected firelight at night. The angles and durations encode messages — it's a system we've used for generations."
"That's essentially a heliograph network. Can I see the codebook?"
The conversation between Oz and the Vanavasi communication officer lasted four hours and resulted in a revised signal protocol that incorporated Oz's engineering knowledge of optical angles with the Vanavasins' existing mirror system. By the fourth day, Oz had designed a relay network that could transmit messages between the two operational teams with a delay of under thirty seconds — faster than any system the Vanavasins had previously achieved.
Trilochan's opinion of Oz underwent a visible recalibration. "He can't move quietly," he told me during an evening planning session, "but his mind moves faster than anyone I've seen. There's more than one way to be useful in a forest."
Kobe trained with the scouts. His background — operations specialist, comfortable with improvisation, physically competent if not exceptional — made him a natural fit for the ship team's ground element. He learned the Vanavasi movement techniques faster than any of us, his body adapting to the forest's rhythm with the fluidity of someone whose physical intelligence exceeded his analytical intelligence, who learned by doing rather than understanding.
Zara did not train for the operation. She established a field medical station at the settlement's edge — the point closest to both operational routes — and prepared for casualties with the systematic thoroughness that characterised her approach to everything medical. She catalogued the Vanavasi pharmacopeia, identified which forest-derived medicines could treat which combat injuries, and created treatment protocols that her assistants — two young Vanavasins whom Devraj had assigned to her — could follow in her absence.
"I hope none of this is needed," she told me, as she organised the supplies with the particular precision of someone who was preparing for the worst while hoping for the best.
"I hope so too."
"But I've prepared for twelve casualties, including two fatalities. That's the realistic estimate based on the threat assessment Trilochan provided."
"Two fatalities?"
"Statistically. The Hybrid team is engaging directly with Igknamai. The casualty rate for ground-level combat with enhanced Igknamai is approximately fifteen percent. Trilochan's team of ten — fifteen percent is one point five. Rounded up." She paused. "I hate rounding up."
Saffiya continued my archery training every morning. The sessions had evolved from basic technique to advanced applications — shooting from elevated positions, shooting while moving, shooting at targets that appeared suddenly from behind obstacles to simulate the Igknamai's ambush behaviour.
On the sixth morning, she set up an exercise that involved four targets at different heights and distances, appearing in rapid sequence. The exercise required not just accuracy but transition speed — the ability to acquire, aim, and release on one target, then immediately acquire the next, the muscle memory operating faster than conscious thought.
I hit three of four. The fourth — the highest, positioned in the canopy above the range — I missed by a hand's width.
"Your upward transition is slow," Saffiya diagnosed. "You drop your draw before re-anchoring. It wastes point-three seconds. In the forest, point-three seconds is the difference between hitting the Igknamai and the Igknamai hitting you."
"How do I fix it?"
"Maintain the draw through the transition. Don't release the tension — redirect it. The energy stays in your back. Your arms reposition while the energy holds."
I practiced the technique for an hour. Saffiya watched every draw, every transition, every release, her eight-year-old eyes tracking my form with the analytical precision of a master instructor. By the end of the hour, I was hitting four of four.
"You're ready," she said. The two words carried the weight of her professional assessment — the judgment of the settlement's best archer under twelve, delivered with the authority of someone who understood that readiness was not perfection but sufficiency, the point at which the training had prepared the body for what it would face.
"Saff—" I hesitated. The thing I wanted to say was complicated — the acknowledgement that this child had given me something more than archery, that the morning sessions had become the structure around which my days organised themselves, that her fierce, demanding, generous teaching had been the anchor that kept me from floating into the particular weightlessness of grief and displacement. "Thank you."
She looked at me with the expression of someone who found gratitude unnecessary. "You did the work. I just told you what to do."
"That's what teaching is."
"Then you're welcome." She slung her bow over her shoulder. "Don't die. I expect you back for training."
The instruction was delivered with the same authority as her archery corrections — non-negotiable, the expectation of a child who had decided that the people she cared about would survive and who was not prepared to accept alternative outcomes.
"I won't die," I said.
"Promise?"
"Promise."
She nodded. The nod was Trilochan's nod — small, contained, the restrained acknowledgement of someone who had heard what they needed to hear. Then she turned and walked along the branch with the casual confidence of a child who owned the canopy, disappearing into the leaves without looking back, her bow bouncing against her spine with each step, the rhythm of the weapon she loved and the forest she lived in and the people she was learning, slowly and fiercely, to protect.
© 2026 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.